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O may I join the choir invisible Of those immortal dead who live again In minds made better by their presence: live In pulses stirred to generosity, In deeds of daring rectitude, in scorn For miserable aims that end with self, In thoughts sublime that pierce the night like stars, And with their mild persistence urge man’s search To vaster issues. So to live is heaven: To make undying music in the world.... This is life to come, Which martyr’d men have made more glorious For us who strive to follow. May I reach That purest heaven, be to other souls The cup of strength in some great agony, Enkindle generous ardour, feed pure love, Beget the smiles that have no cruelty— Be the sweet presence of a good diffused, And in diffusion ever more intense, So shall I join the choir invisible Whose music is the gladness of the world.

O may I join the choir invisible Of those immortal dead who live again In minds made better by their presence: live In pulses stirred to generosity, In deeds of daring rectitude, in scorn For miserable aims that end with self, In thoughts sublime that pierce the night like stars, And with their mild persistence urge man’s search To vaster issues. So to live is heaven: To make undying music in the world.... This is life to come, Which martyr’d men have made more glorious For us who strive to follow. May I reach That purest heaven, be to other souls The cup of strength in some great agony, Enkindle generous ardour, feed pure love, Beget the smiles that have no cruelty— Be the sweet presence of a good diffused, And in diffusion ever more intense, So shall I join the choir invisible Whose music is the gladness of the world.
George Eliot (identity unresolved)

In print by 1921 AD · modern

Recorded in a printed collection by this date; the original date of these words is still unknown.

Meaning not yet available

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Attribution & collection notes
Author or tradition
George Eliot (identity unresolved)
Attribution: unknown
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
In print by 1921 AD · modern
In print by 1921: recorded in My Commonplace Book (third English edition,1921). Collection publication is an upper bound for this wording, not its earliest origin, composition date or the author's lifetime.
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
My Commonplace Book (third English edition,1921) (1921 AD)

Page 327 · printed citation: George Eliot. · compiler notes excluded

A collection's publication date can be later than the words it records.