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Night and Music.—It was only at night time, and in the semi-obscurity of dark forests and caverns, that the ear, the organ of fear, was able to develop itself so well, in accordance with the mode of living of the timid—that is, the longest human epoch which has ever yet existed: when it is clear daylight the ear is less necessary. Hence the character of music, which is an art of night and twilight.

Night and Music.—It was only at night time, and in the semi-obscurity of dark forests and caverns, that the ear, the organ of fear, was able to develop itself so well, in accordance with the mode of living of the timid—that is, the longest human epoch which has ever yet existed: when it is clear daylight the ear is less necessary. Hence the character of music, which is an art of night and twilight.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
The Dawn of Day (1911 English edition) (1911 AD)

The Dawn of Day, complete printed unit 250; John McFarland Kennedy translation; New York: The MacMillan Company,1911

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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