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Love As an Artifice.—Whoever really wishes to become acquainted with something new (whether it be a person, an event, or a book), does well to take up the matter with all possible love, and to avert his eye quickly from all that seems hostile, objectionable, and false therein,—in fact to forget such things; so that, for instance, he gives the author of a book the best start possible, and straightway, just as in a race, longs with beating heart that he may reach the goal. In this manner one penetrates to the heart of the new thing, to its moving point, and this is called becoming acquainted with it. This stage having been arrived at, the understanding afterwards makes its restrictions; the over-estimation and the temporary suspension of the critical pendulum were only artifices to lure forth the soul of the matter.

Love As an Artifice.—Whoever really wishes to become acquainted with something new (whether it be a person, an event, or a book), does well to take up the matter with all possible love, and to avert his eye quickly from all that seems hostile, objectionable, and false therein,—in fact to forget such things; so that, for instance, he gives the author of a book the best start possible, and straightway, just as in a race, longs with beating heart that he may reach the goal. In this manner one penetrates to the heart of the new thing, to its moving point, and this is called becoming acquainted with it. This stage having been arrived at, the understanding afterwards makes its restrictions; the over-estimation and the temporary suspension of the critical pendulum were only artifices to lure forth the soul of the matter.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
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Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
Human, All-Too-Human, Part 1 (1909 English edition) (1909 AD)

Part1, complete printed aphorism 621; Helen Zimmern translation; Edinburgh and London: T.N. Foulis,1909

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Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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