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It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.

It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.

Approximate author period: c. 1972 AD · modern

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Attribution & collection notes
Author or tradition
Chuck Klosterman
Attribution: attributed
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Historical period
Approximate author period: c. 1972 AD · modern
Approximate author-period anchor from documented birth year 1972; activity date not established; Wikidata Q367336, https://www.wikidata.org/wiki/Q367336 (accessed 2026-10-08). Not a quotation composition date.
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Supplied reference C; CSV row 343352; supplied attribution, independently unverified

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