quote · Source-linked selection
If nature had made one rule for the quality of limbs, the faces of men would resemble each other to such a degree that it would not be possible to distinguish one from the other; but she has varied the five features of the face in such a way that, although she has made an almost universal rule with regard to their size, she has not done so with regard to their quality, so that each one can be clearly distinguished from the other.
If nature had made one rule for the quality of limbs, the faces of men would resemble each other to such a degree that it would not be possible to distinguish one from the other; but she has varied the five features of the face in such a way that, although she has made an almost universal rule with regard to their size, she has not done so with regard to their quality, so that each one can be clearly distinguished from the other.
Approximate author period: c. 1486 AD · medieval
Meaning not yet available
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Begin with source-checked readings and explanations ↗Attribution & collection notes
- Author or tradition
- Leonardo da Vinci
Attribution: attributed - Country attributed
- Not established
A country attribution does not establish the earliest origin. - Historical period
- Approximate author period: c. 1486 AD · medieval
author lifetime midpoint (1452–1519); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken. - Recorded source
- Thoughts on Art and Life (1906 English edition) (1906 AD)
Thoughts on Life, complete printed unit 60; Maurice Baring translation; Boston: The Merrymount Press,1906
A collection's publication date can be later than the words it records.
The voice behind the words.
Represented by the complete source-numbered selections in Thoughts on Art and Life, Maurice Baring’s1906English translation, edited by Lewis Einstein. The catalogue records1452–1519; the historical collection is a selection from notebooks, not a continuous book composed by Leonardo or independent authentication of every attributed passage.
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