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If God on the Cross is God shamming a human tragedy, it turns the Passion of Christ into the Farce of Christ. The death of the Son must be real. Father Martin assured me it was. But once a dead God, always a dead God, even resurrected. The Son must have the taste for death forever in His mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself? Why not leave death to the mortals? Why make dirty what is beautiful, spoil what is perfect? Love. That was Father Martin's answer.

If God on the Cross is God shamming a human tragedy, it turns the Passion of Christ into the Farce of Christ. The death of the Son must be real. Father Martin assured me it was. But once a dead God, always a dead God, even resurrected. The Son must have the taste for death forever in His mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself? Why not leave death to the mortals? Why make dirty what is beautiful, spoil what is perfect? Love. That was Father Martin's answer.

Approximate author period: c. 1963 AD · modern

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Attribution & collection notes
Author or tradition
Yann Martel
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1963 AD · modern
Approximate author-period anchor from documented birth year 1963; activity date not established; Wikidata Q13914, https://www.wikidata.org/wiki/Q13914 (accessed 2026-10-08). Not a quotation composition date.
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
Contributor-provided quotation collection

Supplied reference C; CSV row 194598; supplied attribution, independently unverified

A collection's publication date can be later than the words it records.