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I say that the first thing which should be learnt is the mechanism of the limbs, and when this knowledge has been acquired their actions should come next, according to the external circumstances of man, and thirdly the composition of subjects, which should be taken from natural actions, made fortuitously according to circumstances; and pay attention to them in the streets and public places and fields, and note them with a brief indication of outlines; that is to say, for a head make an O, and for an arm a straight or a bent line, and the same for the legs and body; and when thou returnest home work out these notes in a complete form. The adversary says that to acquire practice and to do a great deal of work, it is better that the first course of study should be employed in copying diverse compositions done on paper or on walls by various masters, and that thus rapidity of practice and a good method is acquired; to which I reply that this method will be good if it is based on works which are well composed by competent masters; and since such masters are so rare that but few of them are to be found, it is safer to go to nature, than to what to its deterioration is imitated from nature, and to fall into bad habits, since he who can go to the fountain does not go to the water-vessel.

I say that the first thing which should be learnt is the mechanism of the limbs, and when this knowledge has been acquired their actions should come next, according to the external circumstances of man, and thirdly the composition of subjects, which should be taken from natural actions, made fortuitously according to circumstances; and pay attention to them in the streets and public places and fields, and note them with a brief indication of outlines; that is to say, for a head make an O, and for an arm a straight or a bent line, and the same for the legs and body; and when thou returnest home work out these notes in a complete form. The adversary says that to acquire practice and to do a great deal of work, it is better that the first course of study should be employed in copying diverse compositions done on paper or on walls by various masters, and that thus rapidity of practice and a good method is acquired; to which I reply that this method will be good if it is based on works which are well composed by competent masters; and since such masters are so rare that but few of them are to be found, it is safer to go to nature, than to what to its deterioration is imitated from nature, and to fall into bad habits, since he who can go to the fountain does not go to the water-vessel.

Approximate author period: c. 1486 AD · medieval

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Attribution & collection notes
Author or tradition
Leonardo da Vinci
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1486 AD · medieval
author lifetime midpoint (1452–1519); not quotation composition date
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Recorded source
Thoughts on Art and Life (1906 English edition) (1906 AD)

Thoughts on Art, complete printed unit 60; Maurice Baring translation; Boston: The Merrymount Press,1906

A collection's publication date can be later than the words it records.