quote · Legacy record
Farber says (in my recollection, anyway) the European (or classical) art, including film, is culturally assumed to be a monumental slab. It's about that slab, and how it's been shaped, or what's been carved on it. In "termite art" though, your slab has been wormholed countless times, and its meaning is really taking place in the resulting interstices. The actual art of the piece, in other words, and your enjoyment of it, is taking place in the cracks, and the shape of the slab is coincidental and ultimately meaningless.
Farber says (in my recollection, anyway) the European (or classical) art, including film, is culturally assumed to be a monumental slab. It's about that slab, and how it's been shaped, or what's been carved on it. In "termite art" though, your slab has been wormholed countless times, and its meaning is really taking place in the resulting interstices. The actual art of the piece, in other words, and your enjoyment of it, is taking place in the cracks, and the shape of the slab is coincidental and ultimately meaningless.
Approximate author period: c. 1948 AD · modern
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- Author or tradition
- William Gibson
Attribution: attributed - Country attributed
- Not established
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- Approximate author period: c. 1948 AD · modern
Approximate author-period anchor from documented birth year 1948; activity date not established; Wikidata Q188987, https://www.wikidata.org/wiki/Q188987 (accessed 2026-10-08). Not a quotation composition date.
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Supplied reference C; CSV row 41405; supplied attribution, independently unverified
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