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Far from fearing, as an inferior artist would have done, the juxtaposition of the familiar and the divine, the wildest and most fantastic comedy with the loftiest and gravest tragedy, Shakespeare not only made such apparently discordant elements mutually heighten and complete the general effect which he contemplated, but in so doing teaches us that, in human life, the sublime and ridiculous are always side by side, and that the source of laughter is placed close by the fountain of tears.

Far from fearing, as an inferior artist would have done, the juxtaposition of the familiar and the divine, the wildest and most fantastic comedy with the loftiest and gravest tragedy, Shakespeare not only made such apparently discordant elements mutually heighten and complete the general effect which he contemplated, but in so doing teaches us that, in human life, the sublime and ridiculous are always side by side, and that the source of laughter is placed close by the fountain of tears.
T. B. Shaw (identity unresolved)

In print by 1881 AD · industrial

Recorded in a printed collection by this date; the original date of these words is still unknown.

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Attribution & collection notes
Author or tradition
T. B. Shaw (identity unresolved)
Attribution: unknown
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
In print by 1881 AD · industrial
In print by 1881: recorded in Pearls of Thought (1881). Collection publication is an upper bound for this wording, not its earliest origin, composition date or the author's lifetime.
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
Pearls of Thought (1881) (1881 AD)

Page 236 · printed citation: T. B. Shaw · subject: Shakespeare

A collection's publication date can be later than the words it records.