quote · Source-linked selection
False Renown.—I hate those so-called natural beauties which really have significance only through science, especially geographical science, but are insignificant in an æsthetic sense: for example, the view of Mont Blanc from Geneva. This is an insignificant thing without the auxiliary mental joy of science: the nearer mountains are all more beautiful and fuller of expression, but “not nearly so high,” adds that absurd depreciatory science. The eye here contradicts science: how can it truly rejoice in the contradiction?
False Renown.—I hate those so-called natural beauties which really have significance only through science, especially geographical science, but are insignificant in an æsthetic sense: for example, the view of Mont Blanc from Geneva. This is an insignificant thing without the auxiliary mental joy of science: the nearer mountains are all more beautiful and fuller of expression, but “not nearly so high,” adds that absurd depreciatory science. The eye here contradicts science: how can it truly rejoice in the contradiction?
Approximate author period: c. 1872 AD · industrial
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- Author or tradition
- Friedrich Nietzsche
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- Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken. - Recorded source
- Human, All-Too-Human, Part 2 (1913 English edition) (1913 AD)
The Wanderer and His Shadow, complete printed aphorism 201; Paul V. Cohn translation; New York: The MacMillan Company,1913
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Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.
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