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Enmity to Light.—If we make it clear to any one that, strictly, he can never speak of truth, but only of probability and of its degrees, we generally discover, from the undisguised joy of our pupil, how greatly men prefer the uncertainty of their intellectual horizon, and how in their heart of hearts they hate truth because of its definiteness.—Is this due to a secret fear felt by all that the light of truth may at some time be turned too brightly upon themselves? To their wish to be of some consequence, and accordingly their concealment from the world of what they are? Or is it to be traced to their horror of the all-too brilliant light, to which their crepuscular, easily dazzled, bat-like souls are not accustomed, so that hate it they must?

Enmity to Light.—If we make it clear to any one that, strictly, he can never speak of truth, but only of probability and of its degrees, we generally discover, from the undisguised joy of our pupil, how greatly men prefer the uncertainty of their intellectual horizon, and how in their heart of hearts they hate truth because of its definiteness.—Is this due to a secret fear felt by all that the light of truth may at some time be turned too brightly upon themselves? To their wish to be of some consequence, and accordingly their concealment from the world of what they are? Or is it to be traced to their horror of the all-too brilliant light, to which their crepuscular, easily dazzled, bat-like souls are not accustomed, so that hate it they must?

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
Human, All-Too-Human, Part 2 (1913 English edition) (1913 AD)

Miscellaneous Maxims and Opinions, complete printed aphorism 7; Paul V. Cohn translation; New York: The MacMillan Company,1913

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The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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