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Deception in Love.—We forget and purposely banish from our minds a good deal of our past. In other words, we wish our picture, that beams at us from the past, to belie us, to flatter our vanity—we are constantly engaged in this self-deception. And you who talk and boast so much of “self-oblivion in love,” of the “absorption of the ego in the other person”—you hold that this is something different? So you break the mirror, throw yourselves into another personality that you admire, and enjoy the new portrait of your ego, though calling it by the other person's name—and this whole proceeding is not to be thought self-deception, self-seeking, you marvellous beings?—It seems to me that those who hide something of themselves from themselves, or hide their whole selves from themselves, are alike committing a theft from the treasury of knowledge. It is clear, then, against what transgression the maxim “Know thyself” is a warning.

Deception in Love.—We forget and purposely banish from our minds a good deal of our past. In other words, we wish our picture, that beams at us from the past, to belie us, to flatter our vanity—we are constantly engaged in this self-deception. And you who talk and boast so much of “self-oblivion in love,” of the “absorption of the ego in the other person”—you hold that this is something different? So you break the mirror, throw yourselves into another personality that you admire, and enjoy the new portrait of your ego, though calling it by the other person's name—and this whole proceeding is not to be thought self-deception, self-seeking, you marvellous beings?—It seems to me that those who hide something of themselves from themselves, or hide their whole selves from themselves, are alike committing a theft from the treasury of knowledge. It is clear, then, against what transgression the maxim “Know thyself” is a warning.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
Human, All-Too-Human, Part 2 (1913 English edition) (1913 AD)

Miscellaneous Maxims and Opinions, complete printed aphorism 37; Paul V. Cohn translation; New York: The MacMillan Company,1913

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The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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