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Danger in Wealth.—Only a man of intellect should hold property: otherwise property is dangerous to the community. For the owner, not knowing how to make use of the leisure which his possessions might secure to him, will continue to strive after more property. This strife will be his occupation, his strategy in the war with ennui. So in the end real wealth is produced from the moderate property that would be enough for an intellectual man. Such wealth, then, is the glittering outcrop of intellectual dependence and poverty, but it looks quite different from what its humble origin might lead one to expect, because it can mask itself with culture and art—it can, in fact, purchase the mask. Hence it excites envy in the poor and uncultured—who at bottom always envy culture and see no mask in the mask—and gradually paves the way for a social revolution. For a gilded coarseness and a histrionic blowing of trumpets in the pretended enjoyment of culture inspires that class with the thought, “It is only a matter of money,” whereas it is indeed to some extent a matter of money, but far more of intellect.

Danger in Wealth.—Only a man of intellect should hold property: otherwise property is dangerous to the community. For the owner, not knowing how to make use of the leisure which his possessions might secure to him, will continue to strive after more property. This strife will be his occupation, his strategy in the war with ennui. So in the end real wealth is produced from the moderate property that would be enough for an intellectual man. Such wealth, then, is the glittering outcrop of intellectual dependence and poverty, but it looks quite different from what its humble origin might lead one to expect, because it can mask itself with culture and art—it can, in fact, purchase the mask. Hence it excites envy in the poor and uncultured—who at bottom always envy culture and see no mask in the mask—and gradually paves the way for a social revolution. For a gilded coarseness and a histrionic blowing of trumpets in the pretended enjoyment of culture inspires that class with the thought, “It is only a matter of money,” whereas it is indeed to some extent a matter of money, but far more of intellect.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
Human, All-Too-Human, Part 2 (1913 English edition) (1913 AD)

Miscellaneous Maxims and Opinions, complete printed aphorism 310; Paul V. Cohn translation; New York: The MacMillan Company,1913

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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