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But now, inside the gallery, something happens to him. He finds his emotions gripped by the paintings, the huge, colorful canvases by Diego Rivera, the tiny, agonized self-portraits by Frida Kahlo, the woman Rivera loved. Fabien barely notices the crowds that cluster in front of the pictures.He stops before a perfect little painting in which she has pictured her spine as a cracked column. There is something about the grief in her eyes that won't let him look away. That is suffering, he thinks. He thinks about how long he's been moping about Sandrine, and it makes him feel embarrassed, self-indulgent. Theirs, he suspects, was not an epic love story like Diego and Frida's.He finds himself coming back again and again to stand in front of the same pictures, reading about the couple's life, the passion they shared for their art, for workers' rights, for each other. He feels an appetite growing within him for something bigger, better, more meaningful. He wants to live like these people. He has to make his writing better, to keep going. He has to.He is filled with an urge to go home and write something that is fresh and new and has in it the honesty of these pictures. Most of all he just wants to write. But what?

But now, inside the gallery, something happens to him. He finds his emotions gripped by the paintings, the huge, colorful canvases by Diego Rivera, the tiny, agonized self-portraits by Frida Kahlo, the woman Rivera loved. Fabien barely notices the crowds that cluster in front of the pictures.He stops before a perfect little painting in which she has pictured her spine as a cracked column. There is something about the grief in her eyes that won't let him look away. That is suffering, he thinks. He thinks about how long he's been moping about Sandrine, and it makes him feel embarrassed, self-indulgent. Theirs, he suspects, was not an epic love story like Diego and Frida's.He finds himself coming back again and again to stand in front of the same pictures, reading about the couple's life, the passion they shared for their art, for workers' rights, for each other. He feels an appetite growing within him for something bigger, better, more meaningful. He wants to live like these people. He has to make his writing better, to keep going. He has to.He is filled with an urge to go home and write something that is fresh and new and has in it the honesty of these pictures. Most of all he just wants to write. But what?

Approximate author period: c. 1969 AD · modern

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Attribution & collection notes
Author or tradition
Jojo Moyes
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1969 AD · modern
Approximate author-period anchor from documented birth year 1969; activity date not established; Wikidata Q4299894, https://www.wikidata.org/wiki/Q4299894 (accessed 2026-10-08). Not a quotation composition date.
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
Contributor-provided quotation collection

Supplied reference C; CSV row 98423; supplied attribution, independently unverified

A collection's publication date can be later than the words it records.