quote · Source-linked selection
Beauty corresponding to the Age.—If our sculptors, painters, and musicians wish to catch the significance of the age, they should represent beauty as bloated, gigantic, and nervous: just as the Greeks, under the influence of their morality of moderation, saw and represented beauty in the Apollo di Belvedere. We should, indeed, call him ugly! But the pedantic “classicists” have deprived us of all our honesty!
Beauty corresponding to the Age.—If our sculptors, painters, and musicians wish to catch the significance of the age, they should represent beauty as bloated, gigantic, and nervous: just as the Greeks, under the influence of their morality of moderation, saw and represented beauty in the Apollo di Belvedere. We should, indeed, call him ugly! But the pedantic “classicists” have deprived us of all our honesty!
Approximate author period: c. 1872 AD · industrial
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Begin with source-checked readings and explanations ↗Attribution & collection notes
- Author or tradition
- Friedrich Nietzsche
Attribution: attributed - Country attributed
- Not established
A country attribution does not establish the earliest origin. - Historical period
- Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken. - Recorded source
- The Dawn of Day (1911 English edition) (1911 AD)
The Dawn of Day, complete printed unit 161; John McFarland Kennedy translation; New York: The MacMillan Company,1911
A collection's publication date can be later than the words it records.
The voice behind the words.
Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.
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