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Art and Restoration.—The retrograde movements in history, the so-called periods of restoration, which try to revive intellectual and social conditions that existed before those immediately preceding,—and seem really to succeed in giving them a brief resurrection,—have the charm of sentimental recollection, ardent longing for what is almost lost, hasty embracing of a transitory happiness. It is on account of this strange trend towards seriousness that in such transient and almost dreamy periods art and poetry find a natural soil, just as the tenderest and rarest plants grow on mountain-slopes of steep declivity.—Thus many a good artist is unwittingly impelled to a “restoration” way of thinking in politics and society, for which, on his own account, he prepares a quiet little corner and garden. Here he collects about himself the human remains of the historical epoch that appeals to him, and plays his lyre to many who are dead, half-dead, and weary to death, perhaps with the above-mentioned result of a brief resurrection.
Art and Restoration.—The retrograde movements in history, the so-called periods of restoration, which try to revive intellectual and social conditions that existed before those immediately preceding,—and seem really to succeed in giving them a brief resurrection,—have the charm of sentimental recollection, ardent longing for what is almost lost, hasty embracing of a transitory happiness. It is on account of this strange trend towards seriousness that in such transient and almost dreamy periods art and poetry find a natural soil, just as the tenderest and rarest plants grow on mountain-slopes of steep declivity.—Thus many a good artist is unwittingly impelled to a “restoration” way of thinking in politics and society, for which, on his own account, he prepares a quiet little corner and garden. Here he collects about himself the human remains of the historical epoch that appeals to him, and plays his lyre to many who are dead, half-dead, and weary to death, perhaps with the above-mentioned result of a brief resurrection.
Approximate author period: c. 1872 AD · industrial
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- Author or tradition
- Friedrich Nietzsche
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- Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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- Human, All-Too-Human, Part 2 (1913 English edition) (1913 AD)
Miscellaneous Maxims and Opinions, complete printed aphorism 178; Paul V. Cohn translation; New York: The MacMillan Company,1913
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Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.
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