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Another Point of View.—How we babble about the Greeks! What do we understand of their art, the soul of which was the passion for naked masculine beauty! It was only by starting therefrom that they appreciated feminine beauty. For the latter they had thus a perspective quite different from ours. It was the same in regard to their love for women: their worship was of a different kind, and so also was their contempt.

Another Point of View.—How we babble about the Greeks! What do we understand of their art, the soul of which was the passion for naked masculine beauty! It was only by starting therefrom that they appreciated feminine beauty. For the latter they had thus a perspective quite different from ours. It was the same in regard to their love for women: their worship was of a different kind, and so also was their contempt.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
The Dawn of Day (1911 English edition) (1911 AD)

The Dawn of Day, complete printed unit 170; John McFarland Kennedy translation; New York: The MacMillan Company,1911

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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