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and half of learning to play is learning what not to playand she's learning the spaces she leaves have their own things to sayand she's trying to sing just enough so that the air around her movesand make music like mercy that gives what it is and has nothing to proveshe crawls out on a limb and begins to build her homeand it's enough just to look around and to know that she's not aloneup up up up up up up points the spire of the steeplebut god's work isn't done by godit's done by people

and half of learning to play is learning what not to playand she's learning the spaces she leaves have their own things to sayand she's trying to sing just enough so that the air around her movesand make music like mercy that gives what it is and has nothing to proveshe crawls out on a limb and begins to build her homeand it's enough just to look around and to know that she's not aloneup up up up up up up points the spire of the steeplebut god's work isn't done by godit's done by people

Approximate author period: c. 1989 AD · modern

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Attribution & collection notes
Author or tradition
Ani DiFranco
Attribution: attributed
Country attributed
Not established
A country attribution does not establish the earliest origin.
Historical period
Approximate author period: c. 1989 AD · modern
Approximate period for the recorded attribution to Ani DiFranco, based on documented activity in 1989. Source: https://www.wikidata.org/wiki/Q232462 (checked 2026-10-08). This is not a quotation composition date or independent authentication of its attribution. Source: https://www.wikidata.org/wiki/Q232462 (accessed 2026-10-08).
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken.
Recorded source
Contributor-provided quotation collection

Supplied reference C; CSV row 97358; supplied attribution, independently unverified

A collection's publication date can be later than the words it records.