quote · Legacy record
Amor"So many days, oh so many daysseeing you so tangible and so close,how do I pay, with what do I pay?The bloodthirsty springhas awakened in the woods.The foxes start from their earths,the serpents drink the dew,and I go with you in the leavesbetween the pines and the silence,asking myself how and whenI will have to pay for my luck.Of everything I have seen,it's you I want to go on seeing:of everything I've touched,it's your flesh I want to go on touching.I love your orange laughter.I am moved by the sight of you sleeping.What am I to do, love, loved one?I don't know how others loveor how people loved in the past.I live, watching you, loving you.Being in love is my nature.You please me more each afternoon.Where is she? I keep on askingif your eyes disappear.How long she's taking! I think, and I'm hurt.I feel poor, foolish and sad,and you arrive and you are lightningglancing off the peach trees.That's why I love you and yet not why.There are so many reasons, and yet so few,for love has to be so,involving and general,particular and terrifying,joyful and grieving,flowering like the stars,and measureless as a kiss.That's why I love you and yet not why.There are so many reasons, and yet so few,for love has to be so,involving and general,particular and terrifying,joyful and grieving,flowering like the stars,and measureless as a kiss.
Amor"So many days, oh so many daysseeing you so tangible and so close,how do I pay, with what do I pay?The bloodthirsty springhas awakened in the woods.The foxes start from their earths,the serpents drink the dew,and I go with you in the leavesbetween the pines and the silence,asking myself how and whenI will have to pay for my luck.Of everything I have seen,it's you I want to go on seeing:of everything I've touched,it's your flesh I want to go on touching.I love your orange laughter.I am moved by the sight of you sleeping.What am I to do, love, loved one?I don't know how others loveor how people loved in the past.I live, watching you, loving you.Being in love is my nature.You please me more each afternoon.Where is she? I keep on askingif your eyes disappear.How long she's taking! I think, and I'm hurt.I feel poor, foolish and sad,and you arrive and you are lightningglancing off the peach trees.That's why I love you and yet not why.There are so many reasons, and yet so few,for love has to be so,involving and general,particular and terrifying,joyful and grieving,flowering like the stars,and measureless as a kiss.That's why I love you and yet not why.There are so many reasons, and yet so few,for love has to be so,involving and general,particular and terrifying,joyful and grieving,flowering like the stars,and measureless as a kiss.
Approximate author period: c. 1938 AD · modern
Meaning not yet available
An individual explanation has not yet been added. We do not substitute a generic description for an interpretation of these particular words.
Begin with source-checked readings and explanations ↗Attribution & collection notes
- Author or tradition
- Pablo Neruda
Attribution: attributed - Country attributed
- Not established
A country attribution does not establish the earliest origin. - Historical period
- Approximate author period: c. 1938 AD · modern
Approximate author-period anchor from life dates 1904 to 1973; Wikidata Q34189, https://www.wikidata.org/wiki/Q34189 (accessed 2026-10-08). Not a quotation composition date.
An author lifetime, approximate period or collection date is not necessarily the date when these words were first written or spoken. - Recorded source
- Contributor-provided quotation collection
Supplied reference C; CSV row 1500; supplied attribution, independently unverified
A collection's publication date can be later than the words it records.