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A Fable.—The Don Juan of knowledge—no philosopher or poet has yet succeeded in discovering him. He is wanting in love for the things he recognises, but he possesses wit, a lust for the hunting after knowledge, and the intrigues in connection with it, and he finds enjoyment in all these, even up to the highest and most distant stars of knowledge—until at last there is nothing left for him to pursue but the absolutely injurious side of knowledge, just as the drunkard who ends by drinking absinthe and aquafortis. That is why last of all he feels a longing for hell, for this is the final knowledge which seduces him. Perhaps even this would disappoint him, as all things do which one knows! and then he would have to stand still for all eternity, a victim to eternal deception, and transformed into his enemy, the Stony Guest, who longs for an evening meal of knowledge which will never more fall to his share! for the whole world of things will not have another mouthful left to offer to these hungry men.

A Fable.—The Don Juan of knowledge—no philosopher or poet has yet succeeded in discovering him. He is wanting in love for the things he recognises, but he possesses wit, a lust for the hunting after knowledge, and the intrigues in connection with it, and he finds enjoyment in all these, even up to the highest and most distant stars of knowledge—until at last there is nothing left for him to pursue but the absolutely injurious side of knowledge, just as the drunkard who ends by drinking absinthe and aquafortis. That is why last of all he feels a longing for hell, for this is the final knowledge which seduces him. Perhaps even this would disappoint him, as all things do which one knows! and then he would have to stand still for all eternity, a victim to eternal deception, and transformed into his enemy, the Stony Guest, who longs for an evening meal of knowledge which will never more fall to his share! for the whole world of things will not have another mouthful left to offer to these hungry men.

Approximate author period: c. 1872 AD · industrial

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Attribution & collection notes
Author or tradition
Friedrich Nietzsche
Attribution: attributed
Country attributed
Not established
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Historical period
Approximate author period: c. 1872 AD · industrial
author lifetime midpoint (1844–1900); not quotation composition date
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Recorded source
The Dawn of Day (1911 English edition) (1911 AD)

The Dawn of Day, complete printed unit 327; John McFarland Kennedy translation; New York: The MacMillan Company,1911

A collection's publication date can be later than the words it records.

The voice behind the words.

Friedrich Nietzsche: Photographic portrait, 1882

Author of Human, All-Too-Human, here represented by complete numbered passages in Helen Zimmern’s 1909 and Paul V. Cohn’s 1913 English editions. Catalogue lifetime 1844–1900; historical philosophical arguments and dated viewpoints require context, rather than treating every sentence as general advice.

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