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Passages, proverbs, and questions carried across the ages.

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Culture labels and country attributions follow the source collections; earliest origins may be unknown.

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03c. 1951 AD
The moderns, carrying little baggage of the kind that Shelly called "merely cultural," not even living in the traditional air, but breathing into their space helmets a scientific mixture of synthetic gases (and polluted at that) are the true pioneers. Their circuitry seems to include no atavistic domestic sentiment, they have suffered empathectomy, their computers hum no ghostly feedback of Home, Sweet Home. How marvelously free they are! How unutterably deprived!
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11c. 1951 AD
Oh, listen. Listen!' A sound like a big crowd a good way off, excited and shouting, getting closer. We stand up and scan the empty sky. Suddenly there they are (the geese), a wavering V headed directly over the hilltop, quite low, beating southward down the central flyway and talking as they pass. We stay quiet suspending our human conversation until their garulity fades and their wavering lines are invisible in the sky.They have passed over us like an eraser over a blackboard, wiping away whatever was there before they came.
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17c. 1951 AD
The creative writer is compulsively concrete . . . . His fictional house should be haunted by ideas, not inhabited by them; they should flit past the windows after dark, not fill the rooms. The moment anyone tries to make poems or stories of ideas alone he is at the edge of absurdity; he can only harangue, never interest and persuade, because ideas in their conceptual state are simply not dramatic. They have to be put into the form of people and actions . . .
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