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Culture labels and country attributions follow the source collections; earliest origins may be unknown.

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02c. 1942 AD
In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all.
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04c. 1942 AD
I don’t know whether Asimov realized he was saying this as well, but as an old historical materialist, if only as an afterthought, he must have realized that he was saying too: No one here will ever look at you, read a word you write, or consider you in any situation, no matter whether the roof is falling in or the money is pouring in, without saying to him- or herself (whether in an attempt to count it or to discount it), 'Negro...' The racial situation, permeable as it might sometimes seem (and it is, yes, highly permeable), is nevertheless your total surround. Don’t you ever forget it...! And I never have.
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06c. 1942 AD
One picks one's way about through the glass and aluminum doors, the receptionists' smiles, the lunches with too much alcohol, the openings with more, the mobs of people desperately trying to define good taste in such loud voices one can hardly hear oneself giggle, while the shebang is lit by flashes and flares through the paint-stained window, glimmers under the police-locked door, or, if one is taking a rare walk outside that day, by a light suffusing the whole sky, complex as the northern aurora.
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11c. 1942 AD
In Arachnia as it is spoken on Nepiy, ‘she’ is the pronoun for all sentient individuals of whatever species who have achieved the legal status of ‘woman’. The ancient, dimorphic form ‘he’, once used exclusively for the genderal indication of males (cf. the archaic term man, pl. men), for more than a hundred-twenty years now, has been reserved for the general sexual object of ‘she’, during the period of excitation, regardless of the gender of the woman speaking or the gender of the woman referred to.
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14c. 1942 AD
...I looked out the window at walls of moonlit cloud rising beside us as though we we were at the bottom of some, gray and ivory canyon, hung above the moon-smashed sea...But, with whatever hindsight, I suppose the reason that I want to close on a consideration of these words is that the moon-solid progress through high, drifting cumulus is — read them again — at the very opposite of what we perceive on a liquid's tilting and untilting top, and so becomes the other privileged pole among the images of this study, this essay, this memoir. Or perhaps, as it is only a clause whose syntactic place has been questioned by my own unscholarly researches, I merely want to fix it before it vanishes like water, like light, like the play between them we only suggest, but never master, with the word motion.
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18c. 1942 AD
You've blotted the rich form of desire from my life and left me only some vaguely eccentric behaviors that have grown up to integrate so much pleasure into the mundane world around me. What text could I write now? It's as though I cannot even remember what I once desired. All I can look for now, when I have the energy, is lost desire itself-- and I look for it by clearly inadequate means. At best such an account as I might write would read like the life of anyone else, with, now and again, a bizarre and interruptive incident, largely mysterious and completely demystified-- at least that's what it has become without the day-to-day, moment-to-moment web of wanting that you have unstrung from about my universe. Without it, all falls apart. In a single gesture you've turned me into the most ordinary of human creatures and at once left me an obsessive, pleasureless eccentric, trapped in a set of habits which no longer have reason because they no longer lead to reward. And if I had enough self-confidence, in the midst of this bland continual chaos into which you've shunted me, for hate, I should hate you. But I don't have it.
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21c. 1942 AD
Well, your perfect erotic object remains only in recognition memory); and his absolute absence from reconstruction memory becomes the yearning that is, finally, desire. That socially surrounded absence, when you’re young, masks a lot of things in the real world; when you’re older and a few thousand sexual encounters have begun to clear what desire is about (or perhaps what really lies about desire) and you have begun to perceive desire’s edges, its effect is not so much that of an obliterator any more as it is that of a distorting lens. If you can smile at what you see through, it’s sometimes illuminating.
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