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02c. 1486 AD
Because writers have had no knowledge of the science of painting, they have not been able to describe its gradations and parts, and since painting itself does not reveal itself nor its artistic work in words, it has remained, owing to ignorance, behind the sciences mentioned above, but it has thereby lost nothing of its divinity. And truly it is not without reason that men have failed to honour it, because it does honour to itself without the aid of the speech of others, just as do the excellent works of nature. And if the painters have not described the art of painting, and reduced it to a science, the fault must not be imputed to painting and it is no less noble on that account, since few painters profess a knowledge of letters, as their life would not be long enough for them to acquire such knowledge. Therefore we ask, Is the virtue of herbs, stones and plants non-existent because men have been ignorant of it? Certainly not; but we will say that these herbs remained noble in themselves without the aid of human tongues or letters.
Leonardo da Vinci / quote
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03c. 1486 AD
A science is more useful in proportion as its fruits are more widely understood, and thus, on the other hand, it is less useful in proportion as it is less widely understood. The fruits of painting can be apprehended by all the populations of the universe because its results are subject to the power of sight, and it does not pass by the ear to the brain, but by the same channel by which sight passes. Therefore it needs no interpreters of diverse tongues, as letters do, and it has instantly satisfied the human race in the same manner as the works of nature have done. And not only the human race, but other animals; as was shown in a picture representing the father of a family to whom little children still in the cradle gave caresses, as did the dog and the cat in the same house; and it was a wonderful thing to see such a sight.
Leonardo da Vinci / quote
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04c. 1486 AD
The imagination is to the effect as the shadow to the opaque body which causes the shadow, and the proportion is the same between poetry and painting. Because poetry produces its results in the imagination of the reader, and painting produces them in a concrete reality outside the eye, so that the eye receives its images just as if they were the works of nature; and poetry produces its results without images, and they do not pass to the brain through the channel of the visual faculty, as in painting.
Leonardo da Vinci / quote
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07c. 1486 AD
Poetry surpasses painting in the representation of words, and in the representation of actions painting excels poetry; and painting is to poetry as actions are to words, because actions depend on the eye and words on the ear; and thus the senses are in the same proportion one to another as the objects on which they depend; and on this account I consider painting to be superior to poetry. But since those who practised painting were for long ignorant as to how to explain its theory, it lacked advocates for a considerable time; because it does not speak itself, but reveals itself and ends in action, and poetry ends in words, which in its vainglory it employs for self-praise.
Leonardo da Vinci / quote
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08c. 1486 AD
What poet will place before thee in words, O lover, the true semblance of thy idea with such truth as will the painter? Who is he who will show thee rivers, woods, valleys and plains, which will recall to thee the pleasures of the past, with greater truth than the painter? And if thou sayest that painting is mute poetry in itself, unless there be some one to speak for it and tell what it represents—seest thou not, then, that thy book is on a lower plane? Because even if it have a man to speak for it, nothing of the subject which is related can be seen, as it is seen when a picture is explained. And the pictures, if the action represented and the mental attributes of the figures are in the true proportion one to another, will be understood in the same way as if they spoke.
Leonardo da Vinci / quote
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09c. 1486 AD
Painting reveals itself immediately to thee with the semblance given it by its creator, and affords to the chief of the senses as great a delight as any object created by nature. And the poet in this case reveals the same objects to the brain by the channel of the hearing, the inferior sense, and affords the eye no more pleasure than it derives from anything which is related. Now consider what a difference there is between hearing the recital of a thing which in the course of time gives pleasure to the eye, and perceiving it with the same velocity with which we apprehend the works of nature. And in addition to the fact that a long interval of time is necessary to read the works of the poets, it often occurs that they are not understood, and it is necessary to make diverse comments on them, and it is exceedingly rare that the commentators are agreed as to the meaning of the poet; and often the readers peruse but a small portion of their works, owing to lack of time. But the works of the painter are immediately understood by those who behold them.
Leonardo da Vinci / quote
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10c. 1486 AD
There is no one so foolish who if offered the choice between everlasting blindness and deafness would not immediately elect to lose both his hearing and sense of smell rather than to be blind. Since he who loves his sight is deprived of the beauty of the world and all created things, and the deaf man loves only the sound made by the percussion of the air, which is an insignificant thing in the world. Thou sayest that science increases in nobility in proportion as the subjects with which it deals are more elevated, and, for this reason, a false rendering of the being of God is better than the portrayal of a less worthy object; and on this account we will say that painting, which deals alone with the works of God, is worth more than poetry, which deals solely with the lying imaginings of human devices.
Leonardo da Vinci / quote
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11c. 1486 AD
Thou sayest, O painter, that worship is paid to thy work, but impute not this power to thyself, but to the subject which such a picture represents. Here the painter makes answer: O thou poet, who sayest that thou also art an imitator, why dost thou not represent with thy words objects of such a nature that thy writings which contain these words may be worshipped also? But nature has favoured the painter more than the poet, and it is fair that the works of the more greatly favoured one should be more honoured than those of the less favoured one. Therefore let us praise him who with words satisfies the hearing, and him who by painting affords perfect content to the eyes; but let the praise given to the worker in words be less, inasmuch as they are accidental and created by a less worthy author than the works of nature of which the painter is the imitator. And the existence of these works is confined within the forms of their surfaces.
Leonardo da Vinci / quote
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12c. 1486 AD
Music should be given no other name than the sister of painting, inasmuch as it is subject to the hearing,—a sense inferior to the eye,—and it produces harmony by the unison of its proportioned parts, which are brought into operation at the same moment and are constrained to come to life and die in one or more harmonic times; and time is, as it were, the circumference of the parts which constitute the harmony, in the same way as the outline constitutes the circumference of limbs whence human beauty emanates. But painting excels and lords over music because it does not die as soon as it is born, as occurs with music, the less fortunate; on the contrary, it continues to exist and reveals itself to be what it is, a single surface. O marvellous science, thou givest lasting life to the perished beauty of mortals, which are thus made more enduring than the works of nature, for these undergo forever the changes of time, and time leads them to inevitable old age! And this science is to divine nature as its works are to the works of nature, and on this account it is worshipped.
Leonardo da Vinci / quote
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13c. 1486 AD
The musician says that his art can be compared with that of the painter because by the art of the painter a body of many members is composed, and the spectator apprehends its grace in as many harmonious rhythms ... as there are times in which it lives and dies; and by these rhythms ... its grace plays with the soul, which dwells in the body of the spectator. But the painter replies that the body composed of human limbs does not afford the delectable harmonious rhythms in which beauty must live and die, but renders it permanent for many years, and is of such great excellence that it preserves the life of this harmony of concordant limbs which nature with all her force could not preserve. How many pictures have preserved the semblance of divine beauty of which time or death had in a brief space destroyed the living example: and the work of the painter has become more honoured than that of nature, his master! If thou, O musician, sayest that painting is mechanical because it is wrought by the work of the hands, music is wrought by the mouth, but not by the tasting faculties of the mouth; just and as the hand is employed indeed in the case of painting, but not for its faculties of touch. Words are less worthy than actions. But thou, writer of science, dost thou not copy with thy hand, and write what is in thy mind, as the painter does? And if thou wast to say that music is formed of proportion, by proportion have I wrought painting, as thou shalt see.
Leonardo da Vinci / quote
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16c. 1486 AD
If the painter wishes to see beautiful things which will enchant him he is able to beget them; if he wishes to see monstrous things which terrify, or grotesque and laughable things, or truly piteous things, he can dispose of all these; if he wishes to evoke places and deserts, shady or dark retreats in the hot season, he represents them, and likewise warm places in the cold season. If he wishes valleys, if he wishes to descry a great plain from the high summits of the mountains, and if he wishes after this to see the horizon of the sea, he can do so; and from the low valleys he can gaze on the high mountains, or from the high mountains he can scan the low valleys and shores; and in truth all quantities of things that exist in the universe, either real or imaginary, he has first in his mind and then in his hands; and these things are of so great excellence that they beget a harmonious concord in one glance, as do the things of nature.
Leonardo da Vinci / quote
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17c. 1486 AD
We can safely say that those people are under a delusion who call that painter a good master who can only draw well a head or a figure. Certainly there is no great merit if, after studying a single thing during a whole lifetime, you attain to a certain degree of perfection in it. But knowing, as we do, that painting includes and comprehends all the works produced by nature, or brought about by the fortuitous action of man, and in fact everything that the eye can see, he seems to me to be a poor master who can only do one thing well. Now seest thou not how many and diverse acts are performed by men? Seest thou not how many various animals there are, and likewise trees, plants and flowers; what a variety of mountainous or level places, fountains, rivers, cities, public and private buildings, instruments suitable for human use; how many diverse costumes and ornaments and arts? All these things should be considered of equal effect and value when used by the man who can be called a good painter.
Leonardo da Vinci / quote
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18c. 1486 AD
If you despise painting, which is the only imitator of the visible works of nature, you will certainly despise a subtle invention which with philosophy and subtle speculation apprehends the qualities of forms, backgrounds, places, plants, animals, herbs and flowers, which are surrounded by light and shade. And truly this is knowledge and the legitimate offspring of nature, because painting is begotten by nature. But to be correct, we will say that it is the grandchild of nature, because all visible things are begotten by nature, and these her children have begotten painting. Therefore we shall rightly say that painting is the grandchild of nature and related to God.
Leonardo da Vinci / quote
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19c. 1486 AD
Were a master to boast that he could remember all the forms and effects of nature, he would certainly appear to me to be graced with great ignorance, inasmuch as these effects are infinite and our memory is not sufficiently capacious to retain them. Therefore, O painter, beware lest in thee the lust of gain should overcome the honour of thy art, for the acquisition of honour is a much greater thing than the glory of wealth. Thus, for this and for other reasons which could be given, first strive in drawing to express to the eye in a manifest shape the idea and the fancy originally devised by thy imagination; then go on adding or removing until thou art satisfied; then arrange men as models, clothed or nude, according to the intention of thy work, and see that, as regards dimension and size, in accordance with perspective there is no portion of the work which is not in harmony with reason and natural effects, and this will be the way to win honour in thy art.
Leonardo da Vinci / quote
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20c. 1486 AD
Sculpture is not a science, but a mechanical art, because it causes the brow of the artist who practises it to sweat, and wearies his body; and for such an artist the simple proportions of the limbs, and the nature of movements and attitudes, are all that is essential, and there it ends, and shows to the eye what it is, and it does not cause the spectator to wonder at its nature, as painting does, which in a plane by its science shows vast countries and far-off horizons.
Leonardo da Vinci / quote
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21c. 1486 AD
The only difference between painting and sculpture is that the sculptor accomplishes his work with the greater bodily fatigue, and the painter with the greater mental fatigue. This is proved by the fact that the sculptor in practising his art is obliged to exert his arms and to strike and shatter the marble or other stone, which remains over and above what is needed for the figure which it contains, by manual exercise, accompanied often by profuse sweating, mingled with dust and transforming itself into dirt; and his face is plastered and powdered with the dust of the marble, so that he has the appearance of a baker, and he is covered with minute chips, and it appears as if snow had fallen on him, and his dwelling is dirty and full of chips and the dust of stone. The contrary occurs in the case of the painter,—we are speaking of excellent painters and sculptors,—since the painter with great leisure sits before his work well clothed, and handles the light brush dipped in lovely colours. He wears what garments he pleases; his dwelling is full of beautiful pictures, and it is clean; sometimes he has music or readers of diverse and pleasant works, which, without any noise of hammers or other confused sounds, are heard with great pleasure.
Leonardo da Vinci / quote
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22c. 1486 AD
Sculpture lacks the beauty of colours, the perspective of colours; it lacks perspective and it confuses the limits of objects remote from the eye, inasmuch as it represents the limits of objects that are near in the same way as those of distant objects; it does not represent the air which, interposed between the eye and the remote object, conceals that object but as the veils in draped figures, which reveal the naked flesh beneath them; it cannot represent the small pebbles of various colours beneath the surface of the transparent waters.
Leonardo da Vinci / quote
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