The collection / 62 fragments

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Passages, proverbs, and questions carried across the ages.

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01c. 1946 AD

The anarch, as I have expounded elsewhere, is the pendant to the monarch; he is as sovereign as the monarch, and also freer since he does not have to rule.

Ernst Jünger / quote

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02c. 1946 AD

In this place a mind was at work to negate the image of a free and intact man. It intended to rely on man power in the same way that it had relied on horsepower. It wanted units to be equal and divisable, and for that purpose man had to be destroyed as the horse had already been destroyed.

Ernst Jünger / quote

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03c. 1946 AD

When society involves the anarch in a conflict which in which he does not participate inwardly, it challenges him to launch an opposition. He will try to turn the lever with which society moves him. Society is then at his disposal, say, as a stage for grand spectacles that are devised for him. Everything changes; the fetter becomes fascinating, danger an adventure, a suspenseful task.

Ernst Jünger / quote

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04c. 1946 AD

The forest fleer has been expelled from society, the anarch has expelled society from himself. He is and remains his own master in all circumstances. When he decides to flee to the forest, his decision is less an issue of justice and conscience for him than a traffic accident. He changes camouflage; of course, his alien status is more obvious in the forest flight, thereby making it the weaker form, though perhaps indispensable.

Ernst Jünger / quote

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05c. 1946 AD

For the anarch, things are not so simple, especially when he has a background in history. If he remains free of being ruled, whether by sovereigns or by society, this does not mean that he refuses to serve in any way. In general, he serves no worse than anyone else, and sometimes even better, if he likes the game. He only holds back from the pledge, the sacrifice, the ultimate devotion. These are issues of metaphysical integrity....

Ernst Jünger / quote

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06c. 1946 AD

The populace consists of individuals and free men, while the state is made up of numbers. When the state dominates, killing becomes abstract. Servitude began with the shepherds; in the river valleys it attained perfection with canals and dikes. Its model was the slavery in mines and mills. Since then, the ruses for concealing chains have been refined.

Ernst Jünger / quote

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07c. 1946 AD

The anarch is oriented to facts, not ideas. He fights alone, as a free man, and would never dream of sacrificing himself to having one inadequacy supplant another and a new regime triumph over the old one. In this sense, he is closer to the philistine; the baker whose chief concern is to bake good bread; the peasant, who works his plow while armies march across his fields.

Ernst Jünger / quote

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08c. 1946 AD

I am an anarch in space, a metahistorian in time. Hence I am committed to neither the political present nor tradition; I am blank and also open and potent in any direction. Dear old Dad, in contrast, still pours his wine into the same decaying old wineskins, he still believes in a constitution when nothing and no one constitutes anything.

Ernst Jünger / quote

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09c. 1946 AD

The political trend is always to be observed, partly as a spectacle, partly for one’s own safety. The liberal is dissatisfied with regime; the anarch passes through their sequence – as inoffensively as possible – like a suite of rooms. This is the recipe for anyone who cares more about the substance of the world than its shadow – the philosopher, the artist, the believer.

Ernst Jünger / quote

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10c. 1946 AD

Incidentally, I notice that our professors, trying to show off to their students, rant and rail against the state and against law and order, while expecting that same state to punctually pay their salaries, pensions, and family allowances, so that they value at least this kind of law and order. Make a fist with the left hand and open the right hand receptively—that is how one gets through life.

Ernst Jünger / quote

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11c. 1946 AD

We do not escape our boundaries or our innermost being. We do not change. It is true we may be transformed, but we always walk within our boundaries, within the marked-off circle.

Ernst Jünger / quote

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12c. 1946 AD

A work of art wastes away and becomes lustreless in surroundings where it has a price but not a value. It radiates only when surrounded by love. It is bound to wilt in a world where the rich have no time and the cultivated no money. But it never harmonizes with borrowed greatness.

Ernst Jünger / quote

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13c. 1946 AD

Human perfection and technical perfection are incompatible. If we strive for one, we must sacrifice the other: there is, in any case, a parting of the ways. Whoever realises this will do cleaner work one way or the other.Technical perfection strives towards the calculable, human perfection towards the incalculable. Perfect mechanisms - around which, therefore, stands an uncanny but fascinating halo of brilliance - evoke both fear and Titanic pride which will be humbled not by insight but only by catastrophe.The fear and enthusiasm we experience at the sight of perfect mechanisms are in exact contrast to the happiness we feel at the sight of a perfect work of art. We sense an attack on our integrity, on our wholeness. That arms and legs are lost or harmed is not yet the greatest danger.

Ernst Jünger / quote

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14c. 1946 AD

Dalin must have whiffed the anarch in me, a man with no ties to state or society. Still, he was unable to sense an autonomy that puts up with these forces as objective facts but without recognizing them. What he lacked was a grounding in history.Opposition is collaboration; this was something from which Dalin, without realizing it, could not stay free. Basically, he damaged order less than he confirmed it. The emergence of the anarchic nihilist is like a goad that convinces society of its unity.The anarch, in contrast, not only recognizes society a priori as imperfect, he actually acknowledges it with that limitation. He is more or less repulsed by state and society, yet there are times and places in which the invisible harmony shimmers through the visible harmony. This is obviously chiefly in the work of art. In that case, one serves joyfully.But the anarchic nihilist thinks the exact opposite. The Temple of Artemis, to cite an example, would inspire him to commit arson. The anarch, however, would have no qualms about entering the temple in order to meditate and to participate with an offering. This is possible in any temple worthy of the name.

Ernst Jünger / quote

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15c. 1946 AD

A critical attitude, like activity, is one of the fundamental characteristics of our time. Both are interdependent. If the critical attitude should dwindle, there would be more peace and less intelligence, to the benefit of the essential. Neither criticism nor activity, however, can steer the course in such a direction - this means that higher forces are involved.

Ernst Jünger / quote

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16c. 1946 AD

Although I am an anarch, I am not anti-authoritarian. Quite the opposite: I need authority, although I do not believe in it. My critical faculties are sharpened by the absence of the credibility that I ask for. As a historian, I know what can be offered.

Ernst Jünger / quote

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17c. 1946 AD

The anarch knows the rules. He has studied them as a historian and goes along with them as a contemporary. Wherever possible, he plays his own game within their framework; this makes the fewest waves.

Ernst Jünger / quote

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18c. 1946 AD

We had come from lecture halls, school desks and factory workbenches, and over the brief weeks of training, we had bonded together into one large and enthusiastic group. Grown up in an age of security, we shared a yearning for danger, for the experience of the extraordinary. We were enraptured by war.

Ernst Jünger / quote

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19c. 1946 AD

In a curious failure of comprehension, I looked alertly about me for possible targets for all this artillery fire, not, apparently, realizing that it was actually ourselves that the enemy gunners were trying for all they were worth to hit.

Ernst Jünger / quote

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20c. 1946 AD

As an anarch, who acknowledges neither law nor custom, I owe it to myself to get at the very heart of things. I then probe them in terms of their contradictions, like image and mirror image. Either is imperfect – by seeking to unite them, which I practice every morning, I manage to catch a corner of reality.

Ernst Jünger / quote

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21c. 1946 AD

The anarch is (I am simplifying) on the side of gold: it fascinates him, like everything that eludes society. Gold has its own immeasurable might. It need only show itself, and society with its law and order is in jeopardy.The anarch is on the side of gold : this is not to be construed as a lust for gold. He recognizes gold as the central and immobile power. He loves it, not like Cortez, but like Montezuma, not like Pizarro but like Atahualpa ....

Ernst Jünger / quote

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22c. 1946 AD

I begin with the respect that the anarch shows towards the rules. Respectare as an intensive of respicere means: ‘to look back, to think over, to take into account.’ These are traffic rules. The anarchist resembles a pedestrian who refuses to acknowledge them and is promptly run down. Even a passport check is disastrous for him. ‘I never saw a cheerful end,’ as far back as I can look into history. In contrast, I would assume that men who were blessed with happiness – Sulla, for example – were anarchs in disguise.

Ernst Jünger / quote

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23c. 1946 AD

A basic theme for the anarch is how man, left to his own devices, can defy superior forces – whether state, society, or the elements – by making use of their rules without submitting to them.‘It is strange,’ Sir William Parry wrote when describing the igloos on Winter Island, ‘it is strange to think that all these measure are taken against the cold – and in houses of ice.

Ernst Jünger / quote

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24c. 1946 AD

Law and custom are becoming the subjects of a new field of learning. The anarch endeavors to judge them ethnographically, historically, and also – I will probably come back to this – morally. The State will be generally satisfied with him; it will scarcely notice him In this respect he bears a certain resemblance to the criminal – say, the master spy – whose gifts are concealed behind a run-of-the-mill occupation.

Ernst Jünger / quote

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