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02Undated
I care for you, darling, I love you,the only reason I fucked L. is because you fuckedZ. and then I fucked R. and you fucked N.and because you fucked N. I had to fuckY. But I think of you constantly, I feel youhere in my belly like a baby, love I'd call it,no matter what happens I'd call it love, and soyou fucked C. and then before I could moveyou fucked W., so I had to fuck D. ButI want you to know that I love you, I think of youconstantly, I don't think I've ever loved anybodylike I love you.
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14Undated
Writing is something that you don't know how to do. You sit down and it's something that happens, or it may not happen. So, how can you teach anybody how to write? It's beyond me, because you yourself don't even know if you're going to be able to. I'm always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I'll sit at that typewriter for fifteen minutes, you know. I don't go up there to write. The typewriter's up there. If it doesn't start moving, I say, well this could be the night that I hit the dust.
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24Undated
There is a problem with writers. If what a writer wrote was published and sold many, many copies, the writer thought he was great. If what a writer wrote was published and sold a medium number of copies, the writer thought he was great. If what a writer wrote was published and sold very few copies, the writer thought he was great. If what the writer wrote never was published and he didn't have enough the money to publish it himself, then he thought he was truly great. The truth, however, was there was very little greatness. It was almost nonexistent, invisible. But you could be sure that the worst writers had the most confidence, the least self-doubt. Anyway, writers were to be avoided, and I tried to avoid them, but it was almost impossible. They hoped for some sort of brotherhood, some kind of togetherness. None of it had anything to do with writing, none of it helped at the typewriter.
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