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03Undated
Come here, let me share a bit of wisdom with you.Have you given much thought to our mortal condition?Probably not. Why would you? Well, listen.There's no one alivewho can say if he will be tomorrow.Our fate moves invisibly! A mystery.No one can teach it, no one can grasp it.Accept this! Cheer up! Have a drink!You can let the rest go. Am I making sense?I think so. How about a drink.Put on a garland. I'm surethe happy splash of wine will cure your mood.We're all mortal you know. Think mortal.Because my theory is, there's no such thing as life,
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07Undated
That night we made love "the real way" which we had not yet attemptedalthough married six months.Big mystery. No one knew where to put their leg and to this day I'm not surewe got it right.He seemed happy. You're like Venice he said beautifully.Early next dayI wrote a short talk ("On Defloration") which he stole and had publishedin a small quarterly magazine.Overall this was a characteristic interaction between us.Or should I say ideal.Neither of us had ever seen Venice.
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24Undated
Grief and rage--you need to contain that, to put a frame around it, where it can play itself out without you or your kin having to die. There is a theory that watching unbearable stories about other people lost in grief and rage is good for you--may cleanse you of your darkness. Do you want to go down to the pits of yourself all alone? Not much. What if an actor could do it for you? Isn't that why they are called actors? They act for you. You sacrifice them to action. And this sacrifice is a mode of deepest intimacy of you with your own life. Within it you watch [yourself] act out the present or possible organization of your nature. You can be aware of your own awareness of this nature as you never are at the moment of experience. The actor, by reiterating you, sacrifices a moment of his own life in order to give you a story of yours.
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