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21c. 1940 AD
We ought to be much more fearful of what we don’t know. We should really be fearful of an unconscious that inhabits us, that guides us, that influences our life and of which we don’t know the face and don’t know the message. Actually I have much less fear since I confronted fears. What’s frightening to me is people whose unconscious leads them, destroys them, and yet they will never stop and look at it. That’s the minotaur in the labyrinth, which many people never come face to face with. There was a very remarkable percussion composer, Edgar Varese, who always mocked psychology, mocked psychoanalysis, mocked psychiatry. He was satirical about it, wouldn’t have any of it. And yet his whole life pattern was self-destructive. He was an innovator and a tremendous musician. But he blocked himself. His biography is out now, and you can see the pattern. You can see this demon that was driving him, the origin of it. He seemed to be a very fearless, strong, tremendous tempered man with great force; he even looked like a Corsican bandit. But he had no power over the forces that were pushing him. That is what frightens me.
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22c. 1940 AD
In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change.
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