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William Blake

1757 AD — 1827 AD

English poet and engraver whose short lyrics place contrasting voices and images beside one another. Read complete poems before treating an isolated stanza as a settled account of love or belief.

Author and source reference ↗
▷ Play this voiceSearch within this voice ↗Place in time ↗lovetimetruthworkknowledgefaithwisdommind

Life and writing

William Blake lived from 1757 to 1827. The Academy of American Poets documents his London birth, engraving apprenticeship and work as an engraver and illustrator. It dates Songs of Innocence to 1789 and Songs of Experience to 1794, describing the illustrated format of both. Those original publication dates differ from the checked 1901 related edition. This profile adds referenced context to the existing archive identity without changing its supplied wording, undated records or independent attribution uncertainty.

Academy of American Poets — William Blake ↗ Academy biography: lifetime, London birth, engraving and the 1789/1794 Songs publications

The opening of The Clod and the Pebble offers a self-giving account of love, but the complete poem also gives the pebble an opposing voice. On Another’s Sorrow begins with questions about responding to another person’s pain and develops them through further images and religious language. Both selected supplied excerpts match the linked 1901 text under limited case, punctuation and spacing comparison. That small check locates passages for related reading; it does not authenticate the other 128 associated supplied records or claim that this transcription preserves the appearance of Blake’s illustrated plates.

Historical related reading — Songs of Innocence and of Experience ↗ 1901 Songs: The Clod and the Pebble, opening and opposed final stanza; On Another’s Sorrow

Reading this voice

Read The Clod and the Pebble and On Another’s Sorrow in full. Notice the different speakers and how a stanza changes when another voice answers it. All 130 associated entries are contributor-supplied and remain independently unverified as a collection. The two selected passage checks are limited; the 1901 edition is not a composition date, and this text link does not substitute for examining the original illustrated works.

Subjects to explore

Editorial reading connections, distinct from the archive’s word matching.

A work to read

Begin with these archive passages

Editorial starting points from this author’s existing entries.

Profile sources and editorial status

Original agent-assisted editorial profile, checked 2026-10-05. No human review is recorded. Life dates are recorded to the year; they do not date individual quotations.

Archive entries

03Undated
Answer this to yourselves, & expel from among you those who pretend to despise the labours of Art & Science, which alone are the labours of the Gospel: Is not this plain & manifest to the thought? Can you think at all, & not pronounce heartily! That to Labour in Knowledge. is to Build up Jerusalem: and to Despise Knowledge, is to Despise Jerusalem & her Builders. And remember: He who despises & mocks a Mental Gift in another; calling it pride & selfishness & sin; mocks Jesus the giver of every Mental Gift. which always appear to the ignorance-loving Hypocrite, as Sins. but that which is a Sin in the sight of cruel Man. is not so in the sight of our kind God.
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10Undated
A robin redbreast in a cagePuts all heaven in a rage.A dove-house fill'd with doves and pigeonsShudders hell thro' all its regions.A dog starv'd at his master's gatePredicts the ruin of the state.A horse misused upon the roadCalls to heaven for human blood.Each outcry of the hunted hareA fibre from the brain does tear.A skylark wounded in the wing,A cherubim does cease to sing.The game-cock clipt and arm'd for fightDoes the rising sun affright.Every wolf's and lion's howlRaises from hell a human soul.- "Auguries of Innocence
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