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Victor Hugo

1802 AD — 1885 AD

Hugo places a defence of beauty beside the loss of Jean Valjean’s name in prison. Read the bishop’s reply and the narrator’s account in their separate scenes of usefulness and human dignity.

Author and source reference ↗
▷ Play this voiceSearch within this voice ↗Place in time ↗lovelifehappinessdeathmindfaithcouragepeace
Historical source references

Life and writing

The catalogue identifies Victor Hugo with lifetime years 1802–1885 and names Isabel Florence Hapgood as translator of this English Les Misérables. Judith Boss and David Widger receive digital credits. The selected passages come from the opening volume, Fantine, and concern different figures. The catalogue HTML ISBN belongs to the electronic edition. The linked reading does not establish an original print publisher or independently authenticate every archive attribution to Hugo.

Project Gutenberg catalogue — Les Misérables ↗Checked related reading — Les Misérables ↗ Catalogue identity/lifetime and linked edition credits, framing or cast

When Madame Magloire proposes replacing flowers with useful vegetables, the bishop replies that the beautiful is useful too. That remark belongs to a conversation about his garden. The account of Jean Valjean’s arrival at Toulon, by contrast, is narrated: imprisonment replaces his name with a number after his separation from his family. The scenes connect dignity with both everyday choices and institutions. Neither should be treated as a direct autobiographical statement by Hugo or a universal description of prison procedure. The two selected extracts match the checked English text.

Checked related reading — Les Misérables ↗ Volume I, Fantine; Book I, A Just Man; Chapter VI, Who Guarded His House for Him; Volume I, Fantine; Book II, The Fall; Chapter VI, Jean Valjean

Reading this voice

Read the garden exchange through the bishop’s reply, then the account of Valjean’s separation and imprisonment. Notice the different voices: a character defending flowers and a narrator describing the effacement of a person’s name.

Subjects to explore

Editorial reading connections, distinct from the archive’s word matching.

A work to read

Begin with these archive passages

Editorial starting points from this author’s existing entries.

Profile sources and editorial status

Original agent-assisted editorial profile, checked 2026-10-05. No human review is recorded. Life dates are recorded to the year; they do not date individual quotations.

  • Project Gutenberg catalogue — Les Misérables ↗

    Checked identity/lifetime, specific digital edition, any supplied HTML ISBN and US-public-domain basis. Automatic synopsis and digital dates do not establish quotation wording or composition dates. Reference checked 2026-10-05.

  • Checked related reading — Les Misérables ↗

    Complete selected English extracts, adjacent speaker/context and available edition credits checked. Limited normalization; no whole-corpus authentication or human review. Reference checked 2026-10-05.

Archive entries

06Undated
Promise to give me a kiss on my brow when I am dead. --I shall feel it."She dropped her head again on Marius' knees, and her eyelids closed. He thought the poor soul had departed. Eponine remained motionless. All at once, at the very moment when Marius fancied her asleep forever, she slowly opened her eyes in which appeared the sombre profundity of death, and said to him in a tone whose sweetness seemed already to proceed from another world:--"And by the way, Monsieur Marius, I believe that I was a little bit in love with you.
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