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SJSarah J. Maas

Sarah J. Maas

Dates not recorded

Name supplied in the contributor-provided quotation collection. Basic attribution label; identity, lifetime and quotation authenticity have not been independently verified.

▷ Play this voiceSearch these words ↗Place in time ↗lovedeathmindjusticenaturetruthknowledgetime

Quotations and sayings

05Undated
She had not understood what it had been like for him to live his entire life underground, chained and beaten and crippled—until then. Until she heard that noise of undiluted, unyielding joy.Until she echoed it, tipping her head back to the clouds around them.They sailed over a sea of clouds, and Abraxos dipped his claws in them before tilting to race up a wind-carved column of cloud. Higher and higher, until they reached its peak and he flung out his wings in the freezing, thin sky, stopping the world entirely for a heartbeat.And Manon, because no one was watching, because she did not care, flung out her arms as well and savored the freefall, the wind now a song in her ears, in her shriveled heart.
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09Undated
I barely registered moving into the long gallery, one hand absentmindedly wrapping around my throat as I looked up at the paintings.So many, so different, yet all arranged to flow together seamlessly... Such different views and snippets and angles of the world. Pastorals, portraits, still lifes . . . each a story and an experience, each a voice shouting or whispering or singing about what that moment, that feeling, had been like, each a cry into the void of time that they had been here, had existed. Some had been painted through eyes like mine, artists who saw in colors and shapes I understood. Some showcased colors I had not considered; these had a bend to the world that told me a different set of eyes had painted them. A portal into the mind of a creature so unlike me, and yet . . . and yet I looked at its work and understood, and felt, and cared.
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15Undated
It was not the sorrowful, lovely piece she had once played for Dorian, and it was not the light, dancing melodies she'd played for sport; it was not the complex and clever pieces she had played for Nehemia and Chaol. This piece was a celebration—a reaffirmation of life, of glory, of the pain and beauty in breathing.Perhaps that was why she'd gone to hear it performed every year, after so much killing and torture and punishment: as a reminder of that she was, of what she struggled to
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