01c. 1942 ADIt’s a very new, not to mention vulgar, idea that the spectator’s experience should be identical to, or even have anything to do with, the artist’sSamuel R. Delany / quote ↗
02c. 1942 ADABSTRACT THOUGHTS in a blue room; Nominative, genitive, etative, accusative one, accusative two, ablative, partitive, illative, instructive, abessive, adessive, inessive, essive, allative, translative, comitative. Sixteen cases of the Finnish noun. Odd, some languages get by with only singular and plural. The American Indian languages even failed to distinguish number. Except Sioux, in which there was a plural only for animate objects. The blue room was round and warm and smooth. No way to say warm in French. There was only hot and tepid If there's no word for it, how do you think about it? And, if there isn't the proper form, you don't have the how even if you have the words. Imagine, in Spanish having to assign a sex to every object: dog, table, tree, can-opener. Imagine, in Hungarian, not being able to assign a sex to anything: he, she, it all the same word. Thou art my friend, but you are my king; thus the distinctions of Elizabeth the First's English. But with some oriental languages, which all but dispense with gender and number, you are my friend, you are my parent, and YOU are my priest, and YOU are my king, and YOU are my servant, and YOU are my servant whom I'm going to fire tomorrow if YOU don't watch it, and YOU are my king whose policies I totally disagree with and have sawdust in YOUR head instead of brains, YOUR highness, and YOU may be my friend, but I'm still gonna smack YOU up side the head if YOU ever say that to me again;And who the hell are you anyway . . .?Samuel R. Delany / quote ↗
03c. 1942 ADWell, most textbooks say language is a mechanism for expressing thought. But language is thought. Thought is information given form. The form is language.Samuel R. Delany / quote ↗
04c. 1942 ADWhen I was packing those, I caught myself taking all the important, profound, and indispensable titles I could – nearly filled the box. But one of the more eccentric librarians at the internment compound I’d gotten permission to riffle had put up a whole shelf full of cubes of women writers or texts about women. She was convinced nobody could be truly educated unless they’d read them – though nobody I ever met had, except her, maybe. […]Samuel R. Delany / quote ↗
05c. 1942 ADstupidity: a process, not a state. A human being takes in far more information than he or she can put out. “Stupidity” is a process or strategy by which a human, in response to social denigration of the information she or he puts out, commits him or herself to taking in no more information than she or he can put out. (Not to be confused with ignorance, or lack of data.) Since such a situation is impossible to achieve because of the nature of mind/perception itself in its relation to the functioning body, a continuing downward spiral of functionality and/or informative dissemination results,’ and he understood why! ‘The process, however, can be reversed,’ the voice continued, ‘at any time.Samuel R. Delany / quote ↗
06c. 1942 ADThe mark of the truly civilized is their (truly baffling to the likes of you and me) patience with what truly baffles.Samuel R. Delany / quote ↗
07c. 1942 ADThe yellow eyes had fallen from the tired star. Lorq's face erupted about the scar at some antic from the Mouse that Katin had missed. Rage, Katin pondered. Rage. Yes, he is laughing. But how is anyone supposed to distinguish between laughter and rage in that face? But the others were laughing too. Yet some way, somehow, we do.Samuel R. Delany / quote ↗
08c. 1942 ADThere are three types of actions: purposeful, habitual, and gratuitous. Characters, to be immediate and apprehensible, must be presented by all three.' Katin looked toward the front of the car. The captain gazed through the curving plate that lapped the roof. His yellow eyes fixed Her consumptive light that pulsed fire-spots in a giant cinder. The light was so weak he did not squint at all. I am confounded, Katin admitted to his jeweled box, 'nevertheless. The mirror of my observation turns and what first seemed gratuitous I see enough times to realize it is a habit. What I suspected as habit now seems part of a great design. While what I originally took as purpose explodes into gratuitousness. The mirror turns again, and the character I thought obsessed by purpose reveals his obsession is only habit; his habits are gratuitously meaningless; while those actions i construed as gratuitous now reveal a most demonic end.Samuel R. Delany / quote ↗
09c. 1942 ADWriters are people who write. By and large, they are not happy people. They're not good at relationships. Often they're drunks. And writing—good writing—does not get easier and easier with practice. It gets harder and harder—so that eventually the writer must stall out into silence. The silence that waits for every writer and that, inevitably, if only with death, the writer must fall into is angst-ridden and terrifying—and often drives us mad. So if you're not a writer, consider yourself fortunate.Samuel R. Delany / quote ↗
10c. 1942 ADTo be sure, the Road of Excess leads to the Palace of Wisdom, even when it takes you through the Valley of the Nest of Spiders. Just watch out for parasites.Samuel R. Delany / quote ↗
12c. 1942 ADI want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight.Samuel R. Delany / quote ↗
