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MSMark Strand

Mark Strand

Dates not recorded

Name supplied in the contributor-provided quotation collection. Basic attribution label; identity, lifetime and quotation authenticity have not been independently verified.

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Quotations and sayings

07Undated
Those hours given over to basking in the glow of an imaginedfuture, of being carried away in streams of promise by a love ora passion so strong that one felt altered forever and convincedthat even the smallest particle of the surrounding world wascharged with purpose of impossible grandeur; ah, yes, andone would look up into the trees and be thrilled by the wind-loosened river of pale, gold foliage cascading down and by thehigh, melodious singing of countless birds; those moments, somany and so long ago, still come back, but briefly, like firefliesin the perfumed heat of summer night.
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12Undated
Nobody sees it happening, but the architecture of our timeIs becoming the architecture of the next time. And the dazzleOf light upon the waters is as nothing beside the changesWrought therein, just as our waywardness meansNothing against the steady pull of things over the edge.Nobody can stop the flow, but nobody can start it either.Time slips by; our sorrows do not turn into poems,And what is invisible stays that way. Desire has fled,Leaving only a trace of perfume in its wake,And so many people we loved have gone,And no voice comes from outer space, from the foldsOf dust and carpets of wind to tell us that thisIs the way it was meant to happen, that if only we knewHow long the ruins would last we would never complain.
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17Undated
I is for immortality, which for some poets is a necessary compensation. Presumably miserable in this life, they will be remembered when the rest of us are long forgotten. None of them asks about the quality of that remembrance--what it will be like to crouch in the dim hallways of somebody's mind until the moment of recollection occurs, or to be lifted off suddenly and forever into the pastures of obscurity. Most poets know better than to concern themselves with such things. They know the chances are better than good that their poems will die when they do and never be heard of again, that they'll be replaced by poems sporting a new look in a language more current. They also know that even if individual poems die, though in some cases slowly, poetry will continue: that its subjects, it constant themes, are less liable to change than fashions in language, and that this is where an alternate, less lustrous immortality might be. We all know that a poem can influence other poems, remain alive in them, just as previous poems are alive in it. Could we not say, therefore, that individual poems succeed most by encouraging revisions of themselves and inducing their own erasure? Yes, but is this immortality, or simply a purposeful way of being dead?
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