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Jane Austen: Watercolour portrait by Cassandra AustenWatercolour portrait by Cassandra Austen

Jane Austen

Life dates: 1775 AD — 1817 AD

English novelist whose fictional conversations and changing judgments reward reading a scene rather than treating every character’s words as the author’s advice.

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Life and writing

Jane Austen (1775–1817) wrote six major novels that examine social relationships through individual situations and contrasting perspectives. The museum’s account highlights irony and free indirect style, in which a reader encounters a character’s perspective within narration. This makes the distinction between novelist, narrator and speaker important. A memorable line can reveal a character’s limits rather than offer a rule the author asks everyone to follow.

In the linked 1894 Pride and Prejudice, Darcy’s declaration and subsequent letter lead into Elizabeth’s reconsideration of what she believed. Read Chapters XXXIV–XXXVI as a sequence: an immediate reaction, a new account and an attempt to compare it with remembered conduct. The selected supplied passages concern a declaration and self-questioning. Keeping the scene around such words gives the reader more to examine than an isolated sentence.

Reading this voice

Begin with Chapters XXXIV–XXXVI, separating Saintsbury’s preface from Austen’s novel. The two selected contributor passages retain their wording and unverified source status. The museum biography and related edition provide context, not blanket authentication for the 437 records under this label. Profile life years are documented separately; they do not fill the entries’ unknown composition dates or merge other name variants.

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Quotations and sayings

02c. 1796 AD
And here is my sweet little Annamaria,’ she added, tenderly caressing a little girl of three years old, who had not made a noise for the last two minutes; ‘And she is always so gentle and quiet—Never was there such a quiet little thing!’ But unfortunately in bestowing these embraces, a pin in her ladyship’s head dress slightly scratching the child’s neck, produced from this pattern of gentleness such violent screams, as could hardly be outdone by any creature professedly noisy. The mother’s consternation was excessive; but it could not surpass the alarm of the Miss Steeles, and every thing was done by all three, in so critical an emergency, which affection could suggest as likely to assuage the agonies of the little sufferer. She was seated in her mother’s lap, covered with kisses, her wound bathed with lavender-water, by one of the Miss Steeles, who was on her knees to attend her, and her mouth stuffed with sugar plums by the other. With such a reward for her tears, the child was too wise to cease crying.
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18c. 1796 AD
If I understand you rightly, you had formed a surmise of such horror as I have hardly words to-- Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? Remember the country and the age in which we live. Remember that we are English, that we are Christians. Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known, in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? Dearest Miss Morland, what ideas have you been admitting?"They had reached the end of the gallery, and with tears of shame she ran off to her own room.
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