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Fyodor Dostoyevsky: Painted portrait by Vasily PerovPainted portrait by Vasily PerovVasily Perov; Google Art Project reproduction · Public domain

Fyodor Dostoyevsky

Life dates: 1821 AD — 1881 AD

Dostoyevsky’s arguments change with speaker and circumstance. Read Razumihin’s excited defence of independent mistakes beside the narrator’s account of possible renewal, keeping Garnett’s English wording and the scene in view.

▷ Play this voiceSearch these words ↗Place in time ↗lovetruthfaithlifetimeknowledgedeathjustice

Life and writing

The catalogue identifies Fyodor Dostoyevsky and gives his lifetime as 1821–1881. It credits Constance Garnett with the English translation; the linked text repeats that credit before a biographical introduction and the novel. The introduction must remain distinct from the characters and narrator. Digital credits name John Bickers, Dagny and David Widger. The checked record does not identify the underlying printed edition or publisher. This profile binds the existing Dostoyevsky-labelled identity and selected passages only; it does not merge other spelling labels or fill their unknown quotation dates.

In Part III, Chapter I, Razumihin excitedly defends making one’s own mistakes while escorting Raskolnikov’s mother and sister. His forceful speech and their responses belong to a particular social exchange, not a licence to act carelessly. Epilogue II then describes Raskolnikov feeling a possible change before he can analyse it, with Sonia and a New Testament in the surrounding scene. Both complete selected English extracts match the checked Garnett text under limited normalization. The ending suggests renewal within the novel; it does not guarantee recovery or erase responsibility for harm.

Reading this voice

Read Part III, Chapter I with its listeners and their responses, then the final section of the epilogue with its religious setting. Distinguish Razumihin’s speech from the narrator’s account of Raskolnikov. Both selected complete English extracts match this Garnett text under punctuation, case and spacing comparison. Other attribution spellings and unknown archive dates remain separate and unchanged.

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Quotations and sayings

11c. 1851 AD
Beside himself with shame and despair, the utterly ruined though perfectly just Mr. Golyadkin dashed headlong away, wherever fate might lead him; but with every step he took, with every thud of his foot on the granite of the pavement, there leapt up as though out of the earth a Mr. Golyadkin precisely the same, perfectly alike, and of a revolting depravity of heart. And all these precisely similar Golyadkins set to running after one another as soon as they appeared, and stretched in a long chain like a file of geese, hobbling after the real Mr. Golyadkin, so there was nowhere to escape from these duplicates — so that Mr. Golyadkin, who was in every way deserving of compassion, was breathless with terror; so that at last a terrible multitude of duplicates had sprung into being; so that the whole town was obstructed at last by duplicate Golyadkins, and the police officer, seeing such a breach of decorum, was obliged to seize all these duplicates by the collar and to put them into the watch-house, which happened to be beside him . . . Numb and chill with horror, our hero woke up, and numb and chill with horror felt that his waking state was hardly more cheerful . . . It was oppressive and harrowing . . . He was overcome by such anguish that it seemed as though some one were gnawing at his heart.
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12c. 1851 AD
Note for a moment do I take you for a truth that is real,' Ivan exclaimed in what even amounted to fury. 'You are a falsehood, you are my illness, you are a ghost. Only I do not know how to destroy you, and perceive that for a certain time I must suffer you. You are a hallucination I am having. You are the embodiment of myself, but only of one side of me ... of my thoughts and emotions, though only those that are most loathsome and stupid. In that regard you might even be of interest to me, if only I had time to throw away on you ...
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21c. 1851 AD
I, for instance, was triumphant over everyone; everyone, of course, was in dust and ashes, and was forced spontaneously to recognise my superiority, and I forgave them all. I was a poet and a grand gentleman, I fell in love; I came in for countless millions and immediately devoted them to humanity, and at the same time I confessed before all the people my shameful deeds, which, of course, were not merely shameful, but had in them much that was "sublime and beautiful" something in the Manfred style. Everyone would kiss me and weep (what idiots they would be if they did not), while I should go barefoot and hungry preaching new ideas and fighting a victorious Austerlitz against the obscurantists. Then the band would play a march, an amnesty would be declared, the Pope would agree to retire from Rome to Brazil; then there would be a ball for the whole of Italy at the Villa Borghese on the shores of Lake Como, Lake Como being for that purpose transferred to the neighbourhood of Rome; then would come a scene in the bushes, and so on, and so on — as though you did not know all about it?
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