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Blaise Pascal

1623 AD — 1662 AD

Pascal contrasts physical fragility with the dignity of thought and uses reading pace to illustrate a mean between extremes. These fragments belong to the Pensées body, separate from the edition’s later introduction.

Author and source reference ↗
▷ Play this voiceSearch within this voice ↗Place in time ↗naturejusticehappinessknowledgetruthlifecharactermind
Historical source references

Life and writing

The checked catalogue identifies Blaise Pascal with lifetime years 1623–1662 and names T. S. Eliot as author of introductory material. The linked text’s front matter states that this paperback was published in 1958 by E. P. Dutton & Co., Inc., and carries a rights notice. Gutenberg declares the electronic edition public domain in the United States; this profile does not independently establish worldwide rights. The catalogue does not name the English translator. Its HTML ISBN is distinct from the print SBN in the front matter.

Project Gutenberg catalogue — Pascal's Pensées ↗Checked related reading — Pascal's Pensées ↗ Catalogue identity/lifetime and linked edition credits, framing or cast

The selected passages are in the Pensées body, not Eliot’s introduction. Fragment 347 describes a thinking reed, comparing human physical vulnerability with consciousness of that vulnerability. Fragment 69 says that reading too quickly or too slowly prevents understanding and appears beside remarks about extremes and a mean. These are philosophical and rhetorical contrasts, not a measured diagnosis of a reader’s speed. Fragment numbers here refer to this particular English edition, whose notes describe renumbering. Both complete selected English extracts match the checked text under limited normalization.

Checked related reading — Pascal's Pensées ↗ Pensées body, fragment 347; the thinking reed; Pensées body, fragment 69; reading pace

Reading this voice

Read fragment 347 with the preceding reflection on thought, and fragment 69 with its surrounding contrasts. Use the numbering of this linked edition when locating them. Keep the later introduction and publisher front matter separate from Pascal’s fragments.

Subjects to explore

Editorial reading connections, distinct from the archive’s word matching.

A work to read

Begin with these archive passages

Editorial starting points from this author’s existing entries.

Profile sources and editorial status

Original agent-assisted editorial profile, checked 2026-10-05. No human review is recorded. Life dates are recorded to the year; they do not date individual quotations.

  • Project Gutenberg catalogue — Pascal's Pensées ↗

    Checked identity/lifetime, specific digital edition, any supplied HTML ISBN and US-public-domain basis. Automatic synopsis and digital dates do not establish quotation wording or composition dates. Reference checked 2026-10-05.

  • Checked related reading — Pascal's Pensées ↗

    Complete selected English extracts, adjacent speaker/context and available edition credits checked. Limited normalization; no whole-corpus authentication or human review. Reference checked 2026-10-05.

Archive entries

24Undated
When I consider the shortness of my life, lost in an eternity before and behind, “passing away as the remembrance of a guest who tarrieth but a day,” the little space I fill or behold in the infinite immensity of spaces, of which I know nothing and which know nothing of me—when I reflect this, I am filled with terror, and wonder why I am here and not there, for there was no reason why it should be the one rather than the other; why now rather than then. Who set me here? By whose command and rule were this time and place appointed me? How many kingdoms know nothing of us! The eternal silence of those infinite spaces terrifies me.
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