01c. 1944 ADThe animals of the world exist for their own reasons. They were not made for humans any more than black people were made for white, or women created for men.Alice Walker / quote ↗
02c. 1944 ADOn Stripping Bark from Myself(for Jane, who said trees die from it)Because women are expected to keep silent abouttheir close escapes I will not keep silentand if I am destroyed (naked tree!) someone willpleasemark the spotwhere I fall and know I could not livesilent in my own lieshearing their 'how nice she is!'whose adoration of the retouched imageI so despise.No. I am finished with livingfor what my mother believesfor what my brother and father defendfor what my lover elevatesfor what my sister, blushing, denies or rushesto embrace.I find my ownsmall persona standing selfagainst the worldan equality of willsI finally understand.Besides:My struggle was always againstan inner darkness: I carry within myselfthe only known keysto my death – to unlock life, or close it shutforever. A woman who loves wood grains, the coloryellowand the sun, I am happy to fightall outside murderersas I see I must.Alice Walker / quote ↗
04c. 1944 ADWhat is always needed in the appreciation of art, or life, is the larger perspective. Connections made, or at least attempted, where none existed before, the straining to encompass in one's glance at the varied world the common thread, the unifying theme through immense diversity, a fearlessness of growth, of search, of looking, that enlarges the private and the public world. And yet, in our particular society, it is the narrowed and narrowing view of life that often winsAlice Walker / quote ↗
05c. 1944 ADThe absence of models, in literature as in life, to say nothing of painting, is an occupational hazard for the artist, simply because models in art, in behavior, in growth of spirit and intellect--even if rejected--enrich and enlarge one's view of existence. Deadlier still, to the artist who lacks models, is the curse of ridicule, the bringing to bear on an artist's best work, especially his or her most original, most strikingly deviant, only a fund of ignorance and the presumption that as an artist's critic one's judgement is free of the restrictions imposed by prejudice, and is well informed, indeed, about all the art in the world that really matters.Alice Walker / quote ↗
06c. 1944 ADFor several years, while I searched for, found, and studied black women writers, I deliberately shut O'Connor out, feeling almost ashamed that she had reached me first. And yet, even when I no longer read her, I missed her, and realized that though the rest of America might not mind, having endured it so long, I would never be satisfied with a segregated literature. I would have to read Zora Hurston and Flannery O'Connor, Nella Larsen and Carson McCullers, Jean Toomer and William Faulkner, before I could begin to feel well read at all.Alice Walker / quote ↗
07c. 1944 ADNow. Is this life or not?I be so calm.If she come, I be happy. If she don’t, I be content.And then I figure this the lesson I was suppose to learn.Alice Walker / quote ↗
10c. 1944 ADThe more powerful the powerful appear the more invisible they become, said Armando. This used to work differently than now. In the old days it was said that the powerful merged with the divine and the divine was all that one saw. But now the powerful have merged with the shadow, really with death, and when you encounter them they are really hard to see.Alice Walker / quote ↗
11c. 1944 ADI don't know who tried to teach him what to do in the bedroom, but it must have been a furniture salesman.Alice Walker / quote ↗
12c. 1944 ADShug say, What, too shamefaced to put singing and dancing and fucking together? She laugh. That’s the reason they call what us sing the devil’s music. Devils love to fuck.Alice Walker / quote ↗
13c. 1944 ADNaw, I say. Mr ____, can tell you, I don't like it at all. What is it to like? He git up on you, heist your nightgown round your waist, plunge in. Most times I pretend I ain't there. He never know the difference. Never ast me how I feel, nothing. Just do his business, get off, go to sleep.She start to laugh. Do his business, she say. Do his business. Why, Miss Celie. You make it sound like he going to the toilet on you.That's what it feel like, I say.She stop laughing.Alice Walker / quote ↗
15c. 1944 ADWhat will people say, you running off to Memphis like you don't have a house to look after?Shug say, Albert. Try to think like you got some sense. Why any woman give a shit what people think is a mystery to me.Well, say Grady, trying to bring light. A woman can't git a man if peoples talk.Shug look at me and us giggle. Then us laugh sure nuff. Then Squeak start to laugh. Then Sofia. All us laugh andAlice Walker / quote ↗
16c. 1944 ADAll her young life she has tried to please her father, never quite realizing that, as a girl, she never could.Alice Walker / quote ↗
17c. 1944 ADSofia the kind of woman no matter what she have in her hand she make it look like a weapon.Alice Walker / quote ↗
18c. 1944 ADHe say, Celie, tell me the truth. You don't like me cause I'm a man?I blow my nose. take off they pants, I say, and men look like frogs to me. No matter how you kiss 'em, as far as I'm concern, frogs is what they stay.Alice Walker / quote ↗
19c. 1944 ADA girl is nothing to herself; only to her husband can she become something. What can she become? I asked. Why, she said, the mother of his children. But I am not the mother of anybody's children, I said, and I am something.Alice Walker / quote ↗
21c. 1944 ADAnd so our mothers and grandmothers have, more often than not anonymously, handed on the creative spark, the seed of the flower they themselves never hoped to see - or like a sealed letter they could not plainly read.Alice Walker / quote ↗
23c. 1944 ADWhat that song? I ast. Sound low down dirty to me. Like what the preacher tells you its sin to hear. Not to mention sing.She hum a little more. Something come to me, she say. Something I made up. Something you help scratch out my head.Alice Walker / quote ↗
24c. 1944 ADThe savage rushing of the river seemed to be inside her head, inside her body. Even when the oarswomen, their guides, were speaking to her, she had the impression she couldn't quite hear them because of the roar. Not of the river that did indeed roar, just behind them, close to the simple shelter they'd made for her, but because of an internal roar as of the sound of a massive accumulation of words, spoken all at once, but collected over a lifetime, now trying to leave her body. As they rose to her lips, and in response to the question: Do you want to go home? she leaned over a patch of yellow grass near her elbow and threw up. All the words from decades of her life filled her throat. Words she had said or had imagined saying or had swallowed before saying to her father, dead these many years. All the words to her mother. To her husbands. Children. Lovers. The words shouted back at the television set, spreading its virus of mental confusion. Once begun, the retching went on and on. She would stop, gasping for breath, rest a minute, and be off again. Draining her body of precious fluid... Soon, exhausted, she was done. No, she had said weakly, I don't want to go home. I'll be all right now.Alice Walker / quote ↗
